It’s been a while since I last uploaded a video to my YouTube channel. I have returned.
A little video to say thank you to everyone who watched my videos this year.
Includes cameos from two people I’ve never mentioned before, but are very important to the channel.
I also finally censor that controversial swear in Rocking Around the Christmas Tree by Mel and Kim!
I have become obsessed with cat scares in movies recently and I’ve been on the hunt for the first ever one and I found it in the most unexpected place…
Join me as I count down to Halloween with a new video each day. Every morning we open our advent calendar of the weird and discover an author who died in a particularly mysterious or unusual manner ending on the 31st October when we learn about the strangest death of them all. But who will it be?
In today’s video, number ten on our list… the bizarre life and curious death of Jack London.
Yes, coddiwompling is a word, and I’m bringing it back.
If you are looking for tips to improve your writing you will find them here. But you will also discover that doing whatever the hell you want can work just as well too.
Gertrude Stein, the famous American novelist, poet, and playwright said –
Punctuation is necessary only for the feeble minded.
Before we venture into the spiralling madness of authors who go against the rules, I just discovered that the word “playwright” is written P L A Y W R I G H T . I assumed it would be spelled P L A Y W R I T E . Like someone who writes plays. Playwrite. This might be because I am a fool. It might also be because the English language is endlessly surprising. Etymologically speaking Playwright is similar to wheelwright. A wheelwright was someone who wrought wheels out of wood and iron. And so a playwright is someone who has wrought words into a dramatic form. Like the words have been hammered and bent into submission.
But this isn’t about playwrights. This is about rules god damn it, so let’s get to it.
There are hundreds of books about the rules of writing correctly. As authors we walk a tightrope of good grammar. At any moment we could fall into a pit of dangling participles, passive sentences, repetition, the much feared adverb that reveals the writers inability to show instead of tell, repetition, a misplaced comma, and god forbid; a rogue semi colon. And worst of all, repetition.
But how important are these rules and how much are they going to actually hinder your success?
Only ever use he said or she said, and never follow it up with an adverb.
You don’t even need to use he asked, or she replied. He said is a tag to notify the reader who has spoken. They become invisible to the reader. We scan over them as we read.
Of course you can say, said Graham, or Susan said, but be warned; only do that if you have characters named Graham or Susan. If not, I would recommend using the names of your own characters. The key here is economy of words, and clarity. The reader wants to know who is speaking but nothing more. All the dramatic work should be done in the dialogue or the surrounding prose.
You might have a character at the breakfast table. His wife has prepared breakfast for him. And we get the following piece of dialogue. “I wanted my eggs runny, not raw,” said Graham, angrily.
Instead of using the word angrily, you would write something like, “I wanted my eggs runny, not raw,” said Graham, picking up his plate and throwing it at Susan.
You see, we have a vivid image, instead of “angrily”. There is no doubt that replacing the adverb is better.
Unless of course, you are one of the bestselling authors of all time.
Stephen King said about J. K. Rowling –
Ms Rowling seems to have never met an adverb she didn’t like.
It’s true. Her prose is littered with them.
I’m a sucker for this rule and I try to never use adverbs. But maybe I shouldn’t be afraid of throwing a few in every now and then. It hasn’t exactly hindered the success of Harry Potter.
Avoid them. If you have more than three exclamation marks in your entire novel you have too many. It is lazy. It doing work that should be self-evident in the words being spoken, or the events that are unfolding. If you need to add a nudge at the end of sentence to let the reader know that THIS BIT IS REALLY SURPRISING then something is wrong.
Your words should speak for themselves without the fanfare to highlight how loud someone is shouting or that an explosion is really big. And just on an aesthetic level it makes the page look cluttered and messy.
Having said that, in Joe Hill’s hugely successful book, NOS4A2, there is an exclamation mark every time Charlie Manx, the bad guy in the story, speaks.
You will also find an excessive use of exclamation marks in the books of Tom Wolfe, F Scott Fitzgerald, Jane Austin, and of course the biggest offender of all, James Joyce.
Some people think of those authors as being amongst the best literary writers in history. So maybe using more than three in a book won’t be so bad.
Here’s a curious one; when writing dialogue should you use the double quotation mark or the single one? That has a straightforward answer.
The publishing standard in the UK is to use a single quotation mark. And in the US, they use the double quotation mark.
Unless of course you’re the bestselling author Roddy Doyle, who uses neither. He just starts each piece of dialogue with a dash.
Cormac McCarthy, author of No Country for Old Men, and The Road, didn’t believe in speech marks either, saying –
I believe in periods, in capitals, in the occasional comma, and that’s it.
On the subject of basic punctuation, in the last twenty-four thousand words of James Joyce’s Ulysses there are only two full stops and one comma.
So what’s the point of all this? Well, simply, there is no right or wrong way to write well. You can do whatever the hell you like. The books that break through and become huge bestsellers are littered with broken rules. Nobody in the publishing industry can predict what makes a book become a bestseller. Writers have tried to hone their craft with best practices but, ultimately it’s for nothing.
My advice is that you should learn and understand all these things and then use them at your discretion. Be free to write the way you want to write.
Maybe you don’t need to polish your prose into a smooth perfectly formed generic thriller. Let it be a bit rugged around the edges. Let a bit of your voice come through.
Writing is like music. You can release a highly produced pop song that does well in the charts, and you will do well. For me, those songs are polished so smooth I bounce right off.
Or you can be like Bob Dylan. Sometimes he would screw up a word while singing and just say the word again. He didn’t even go back and rerecord it. It’s right there in the song. He might screw up twenty seconds in and just start eh song again, and it’s right there in the album. It’s those cracks in the perfection that let us in. It’s true for all art, and it’s especially true for writing.
That’s all from me!
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If you are an author and you have a mailing list why not pop a link to my channel in your next newsletter. And if you do please let me know and I will plug your book in a future episode.
TikTok is a social media app that mostly involves lip syncing teenagers and dance routines. It is not a place for literature… Seems like the perfect place to chisel out a niche.
If you are unfamiliar with the format, here are the basics:
There are three ways to post content; a 15 second video, a 60 second video, or a photo montage.
You can easily add special effects and filters. You are limited to 100 characters in your description, which must include your hashtags.
You film your short video, post it, and with any luck you start to amass likes and followers.
I am new to TikTok but I thought it might be interesting to share any insights and tips that I glean along the way.
Here is the first TikTok I made with my manifesto –
I’m writing a dark fairy tale horror based on the Brothers Grimm story, Gnome. I will be documenting my progress and process regularly.
I will also be posting writing tips (sometimes serious, and sometimes not so serious, as in the TikTok below).
It is important as authors that we experiment with different ways of reaching and interacting with readers. This TikTok thing might crash and burn, but it might not. Either way I’ll be doing weekly updates with stats right here on my blog. So please follow me if you are curious about how this goes. Maybe you’ll decide to take to TikTok too, in which case you must let me know; we’ll do a duet.
I’ll get into TikTok duets in another post but, should I gain momentum, a duet is a way of giving new TikTokers an introduction to like minded followers. We’ll grow together.
The link below will take you straight to my TikTok profile. Feel free to cringe at my early attempts at content. Eesh. It’s a learning process, right? And don’t forget to press that follow button!
So, I’ve been on TikTok for three days so far. At the bottom of each TikTok update on this site I’ll publish my stats so you can see my growth and decide if it would be a worthwhile venture for yourself.
I’ll share my failed posts, my successful ones, everything; the good and the bad. Things are going to get experimental and weird. Until next time.
Me and Rachel Howells woke up this morning, had a full English, and put on the Bestseller Podcast, as per. AND Rachel and her book were only bloody mentioned! Words like “bestselling” and “author” and “amazing” were thrown around.
Have a listen!
The book is available to buy via Amazon on Kindle and in paperback now! Go get it! What are you waiting for?
PLEASE SUBSCRIBE TO THE CHANNEL! – AndyChapWriter on YouTube
Kassidy, being the budding YouTuber that she is, has gotten us Vlogging. It’s the hobby of a narcissist but someone’s got to do it.
We found spreadable Biscoff on our travels today so the Vlog became a Taste Test.